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• Apr 21
  21 April 2010
  3:00pm - 6:00pm IAMA Board Meeting Board Room - Room L129, Cité de la Musique

   

   

• Apr 22
  22 April 2010
  11:00am - 11:00am Conference registration opens Cite de la Musique

   

   
• 12:00pm - 1:00pm First time delegate & new member welcome Rue Musicale

  The IAMA board host a special welcome to new members of the association as well as delegates of company's who are attending the IAMA conference for the first time.

   

• 12:30pm - 2:00pm Buffet Lunch Rue Musicale, Cité de la Musique

   

   
• 2:30pm - 4:15pm Opening Session: Welcome. Amphithéâtre, Cité de la Musique

  Laurent Bayle, Director General, Cité de la Musique

  Catherine Le Bris, Conference Chair and Director, CLB Management

  John  Willan, IAMA Chairman and Hazard Chase Ltd. Presentation of the IAMA award 2010

  Opening panel session:

   Around Us: Perspectives in Architecture and Artistic Vision

  Concert Halls reflect a certain social and economic model. They also convey a cultural concept because they usually emerge out of a need of the artists to present their work to the public. The diversity of the architectural “solutions” corresponds to the variety of the contexts and environments in which they have been built.  What they have in common and what makes them unique will be our topic during this discussion with three concert hall managers who are also in charge of new buildings.

  Laurent Bayle is the General Manager of the Cité de la Musique, President of the Salle Pleyel and President of the Philharmonie de Paris. Since 2001 he has been promoting a large range of concerts. Since 2006 he has been in charge of the building of the Philharmonie de Paris (Jean Nouvel), from conception of the programme to commencement of the building in 2009.

  António Jorge Pacheco was appointed Artistic and Education Director in January 2009 of the Casa da Musica (Rem Koolhaas) in Oporto of which he has been Head of Planning from its inception in 2001. As such, he is deeply involved in the creation of the artistic vision for Portugal’s second city. Douglas Merilatt has been General Manager of the New World Symphony Orchestra, America’s Orchestral Academy under Michael Tilson Thomas. A new facility designed by Frank Gehry is being built that incorporates new thinking in its response to the community, the academy and musician. 

  Moderator: Hervé Boutry Director General, Ensemble Intercontemporain with speakers

  Laurent Bayle Director General, Cité de la Musique

  António Jorge Pacheco Artistic and Education Director, Casa da Musica

  To be announced 

   

   

  
  
• 4:30pm - 5:15pm Showcase: Conservatoire de Paris Amphithéâtre, Cité de la Musique

   François Couperin, extrait des Nations : La Françoise (sonate en trio)

  Gravement - Gayement - Rondement - Gayëment - Gravement - Vivement -

  Gracieusement - Gayëment

   

  Jean-Philippe Rameau, Le Berger fidèle Cantate à voix seule avec Simphonie

   

  François Couperin, extrait des Nations : L'Espagnole (sonate en trio)  

  Gravement et mesuré - Fort et très lentement - Vivement -

  Affectueusement

  - Légèrement - Gayëment - Air tendre - Vivement et marqué

   

  Michel Pignolet de Montéclair, Le Dépit généreux 4° Cantate, à voix 

   seule avec un Dessus de Violon ou de Flûte

   

   

  Musicians :

  Maïlys de Villoutreys, soprano

  Cyrielle Eberhardt, violon

  Nicolas Bouils, traverso

  Robin Pharo, viole de gambe

  Ronan Khalil, clavecin (a Goujon fac similé clavecin was kindly provided the Music Museum)

  Full details of the Paris Conservatoire can be seen on their website:

   www.cnsmdp.fr

   
• 5:30pm - 9:00pm Ice-breaker party, La Villette Panorama Room, Holiday Inn, La Villette Kindly sponsored by ROTHSCHILD & Cie Gestion

   

  216 Avenue Jean Jaurès

  75019 Paris
• Apr 23
  23 April 2010
  9:00am - 9:00am Registration re-opens Cité de la Musique

   

   
• 9:30am - 10:45am Panel Session I: Autres Musiques Amphithéâtre, Cité de la Musique Moderator: David Jones, Director, Serious Fairouz Nishanova, Director, Aga Khan Music Initiative, a programme of the Aga Khan Trust for Culture; Alain Weber, Programme advisor, Musiques du Monde, Cité de la Musique Benoît Thiebergien, Director, Festival 38e Rugissants

  How do you programme live film, digital art, jazz and improvisation and musics from all over the world alongside western classical music, so that artists and audiences are inspired, excited and develop a new relationship with the live concert.

  Five producers share their enthusiasms, hopes and challenges, exploring new ideas for music in the 21st century.

   

   

• 9:30am - 12:30pm Helpdesk on US Contracts and Immigration: new arrangement Cité de la Musique Brian Goldstein, FTM Arts Law

   Brian Goldstein will offer a consultation to IAMA conference delegates at a convenient time in the future.  Pllease e-mail him at : bgoldstein@ftm-pc.com

   

• 11:00am - 12:30pm Panel Session II: Digital realities today: possibilities and limitations Amphithéâtre, Cité de la Musique Moderator Emmanuel Hondré, Director of Production, Cité de la Musique; Lamberto Coccioli, Integra (Head of Music Technology at Birmingham Conservatoire); Hugue de Saint-Simon, General Secretary, Cite de la Musique Jonathan Pontier (composer)

  The digital environment is a daily reality and some see the medium as a threat. Many see the opportunities it presents but few exploit it in practice. Can our essentially "live experience" we wish to promote be in conflict with the digital environment and how do limit our own thinking?

   

   

• 1:00pm - 2:30pm Lunch Rue Musicale, Cité de la Musique

   

   
• 2:30pm - 4:00pm Panel Session III: Music and Social Engagement in our Societies Amphithéâtre, Cité de la Musique Moderator: Graham Sheffield, Artistic Director, Barbican Centre Speakers: Pamela Rosenberg, Managing Director, Berlin Philharmonic Orchestra Jean-Paul Davois, Directeur Général, Angers-Nantes Opéra Clare Lovett,Programme Director, Learning and Participation, Spitalfields Music

  One hears about music being a social tool offering a focus and enriching people’s lives in all its contexts. Around Us are environments that impact the way we approach our work whether we are acting as an individual or as an organisation so what examples can we offer that reflect the kaleidoscope of interaction of music and society?  

  The Berlin Philharmonic is a flagship company, capable of taking a strong lead in any capacity but why does it think its new role is necessary? Buskaid is a private passion that has become an international venture revolving around aspirant musicians in Soweto, Johannesburg and a dedicated teacher. What lessons can we learn from its work over its thirteen  year history? The Spitalfields Music is situated in an area of London that boasts the wealthy, the poor and a diversity of cultures. Its scope, though, has become more than the event of Festival offerings and extends now to a year-long continuation of community involvement that has connected people with music and music with the people.  Jean-Paul Davois heads up the Angers-Nantes Opera that has been pioneering significant programmes in the local community. The four movers and shakers will be moderated by the inimitable Graham Sheffield.

   

• 4:15pm - 5:15pm Young International Performers Showcases Amphithéâtre, Cité de la Musique Introduced by Helen Sykes, Board member

   

  I. Lorenzo Gatto, violin

  Roberto Giordano, piano

  Richard Strauss - Sonata for violin and piano in E Flat major, op. 18 (II - Improviasation: Andante cantabile, III - Finale: Andante - Allegro).

  
  

  II. Jörgen van Rijen, trombone

  Martijn Padding - Piece for trombone solo

  James Fulkerson - Force Fields and Spaces for trombone and delay system

  Jacob Ter Veldhuis - I was like WOW

  
  

  
  

   

  
  

   
• 8:00pm - 10:00pm Optional evening activity: Concert at Salle Pleyel Salle Pleyel, 252 rue du faubourg Saint-Honoré, 75008 Paris

  Orchestre Philharmonique de Radio France; Myung-Whun Chung: conducting; Roger Muraro: piano

  Programme:
  Maurice Ravel - Rhapsodie espagnole
  Maurice Ravel - Concerto en sol
  Erik Satie - Entracte
  Maurice Ravel / Modeste Moussorgski - Les Tableaux d'une exposition 

  Address: 252 Rue du Faubourg Saint-Honoré
  
  Metro: Terne (Metro - Porte de Pantin (Ligne 5) to Stalingrad. Change to Ligne 2 (direction Porte Dauphine) to Terne

   

   

• Apr 24
  24 April 2010
  9:00am - 9:00am Registration re-opens Cité de la Musique

   

   
• 9:30am - 12:30pm Helpdesk on US Contracts and Immigration: new arrangement Cité de la Musique Brian Goldstein, FTM Arts Law

  Brian Goldstein will offer a consultation to delegates at a convenient time after the conference.  Bookings should be made directly with Brian. 

• 9:30am - 11:15am Panel Session IV: The French Connection: An historical perspective on the music workings in France Amphithéâtre Moderator: Philippe Fanjas, Director Association of French Orchestras Speakers:Nicolas Droin, General Manager, Accentus; Michel Orier, Director, MC2; Vony Sarfati, Director, Productions Internationales Albert Sarfati Francois Rouffeteau, Director of Marketing, Virgin/EMI Classics

  The French market is one of the most developed in Europe with one of the most remarkable festival programmes of any country, yet its structure and organisation is based on a specific culture where institutions, both national and regional, play a big part in initiating, financing and supporting the arts and the artists as a matter of national pride.  The gathering of speakers will enlighten any newcomer to the French system and give a historical perspective as how it all started with Louis XIV, who first impersonated, as a dancer, a commissioner and a sponsor, the engagement of the State in promoting art.

   

• 11:45am - 12:30pm Special Guest Focus: René Martin, Artistic Director, CREA Amphithéâtre Catherine Le Bris, Director CLB Management, René Martin, Artistic Director, Centre for Artistic Research and Creation (CREA)

  René Martin has achieved remarkable success with attracting audiences of all ages and sustained an artistic programme to be envied in France. This conversation will be about the keys to achieving artistic success together with his own vision for the future of artistic enterprise in France. The session will be conducted in French only.

   

   
• 12:30pm - 2:00pm Lunch Rue Musicale, Cité de la Musique

   

   
• 2:00pm - 2:45pm Young artist showcase Amphithéâtre, Cité de la Musique Introduced by Helen Sykes, Board member

   

   

  I. Marcel Turnier - Images, Suite No. 4 (La voliere magique, Cloches sous la neige, La danse du Moujik)

  Elliott Carter - Bariolage

  Ekaterina Walter-Kühne - Fantasy on Themes from Tchaikovsky's 'Eugene Onegin'

  Emmanuel Ceysson, harp

   

  II. Samuel Barber - Violin Concerto, op. 14 (Allegro, Presto in moto perpetuo)

   Sara Övinge, violine

   Gonzalo Moreno, piano

   

  
  

   

• 2:30pm - 2:30pm Rue Musicale closes Rue Musicale, Cité de la Musique

  Delegates are asked to note that the Rue Musicale will be closed from 15:00 due to a rehearsal and performance taking place later on the 24 April. Space for meetings will continue to be available near the Amphitheatre.

• 3:00pm - 4:30pm Final session: "Around Us" Amphithéâtre, Cité de la Musique Moderator: Paul Cutts, CEO Exhibition Road Cultural Group. Speaker: To be confirmed

  Final session: "Music as an Environmental contributor in the Modern World"

  This session will include final remarks and comments on the 2010 conference, and a presentation of the 2011 conference.

   

   
• 4:30pm - 5:30pm Members' Annual General Meeting Amphithéâtre

  All members and conference delegates are welcome to join the meeting

• 7:30pm - 11:00pm Gala Dinner, Le Restaurant du Musée d’Orsay Le Restaurant, Museé d'Orsay Kindly sponsored by Musical America Worldwide

  Guests should make their way to the restaurant entrance of the Restaurant which is situated at 62 bis rue de Lille

  Transport: RER C: Station, Mus. d’Orsay or Metro or Metro line 12: Station, Solférino (allow 40 minutes if going by public transport)